Carolyn Yeager and Hadding Scott read and comment on Chapter 28: “Jewish Control of the American Theater.”
The theater has long been a part of the Jewish program. Along with
the Press, it is one of the two great means of molding popular opinion.
Not only the “legitimate” stage, so-called, but the
motion picture industry—the
fifth greatest of all the great industries in 1920—is also entirely
Jew-controlled, with the natural consequence that now the world is in
arms against it’s trivializing and demoralizing influences.
It is the
genius of the Jewish race to create problems of a moral character in
whatever business they achieve a majority. This chapter tells about the
beginnings of the Theatrical Trust, which helped to drive non-Jews out
of the business.
Image at Left: The advertisement for the 1925 film version of
Ben-Hur,
favored by Jewish producers apparently because it holds before the
public a romantic picture of a Jew – even though a very un-Jewish Jew.
But we see how the advertisement is sexualized, a trend that grew under
Jewish influence.
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